You went through your audition, call-back, chemistry sets and endless wait for that phone-call from your agent. Now finally you got the call and you find out that you got the job! Yay, congrats! But what do you do now? To know how to act on set is very important and showcase your professionalism and adaptability as an actor – something directors (and all importantly casting agents) love.

If you’re looking to work in film and television, it’s no secret you’ll have to get familiar with the camera and knowing the basic camera angles and types of shots can be hugely propitious for your skills to shine and build your acting resume. So here are 12 of the most popular camera shots all actors should know:


It’s all in the name - the aerial shot is filmed from the air and is often used to establish a location.


Again, it’s in the name – this shot is at the head of the scene and establishes the location the action is set on, whilst also setting the tone of the scene(s) to come. It usually follows directly after an aerial shot in the opening of films and is beloved by TV directors.


This is perhaps the most crucial component in cinematic storytelling and is arguably an actor’s most important moment on camera. The close-up shot is usually framed from above the shoulders and keeps only the actor’s face in full frame, capturing even the smallest facial variations. As it eliminates any surrounding elements that may be relevant to the scene’s narrative, it’s really up to the actor’s skill and focus to shape the story.


This shot is traditionally used in films and focuses on a small part of the actor’s face or body, like a twitching eye or the licking of lips in order to convey intense and intimate emotions. This unnaturally close view is used sparingly as the multiplication of the subtlest movements or details need to be justified in the dramatization and boldness of that particular scene.


Also referred to as a ‘semi-close shot’ or ‘mid-shot’, the medium shot generally shoots the actor(s) from the waist up and is typically used in dialogue scenes. It aims to capture subtle facial expressions combined with their body language or surrounding environment that may be necessary to provide context.


This shot sees the camera track forward from the actor whilst simultaneously zooming out, or vice-versa. So, the foreground generally stays the same while the background increases or decreases across the frame. First invented by Alfred Hitchcock in Vertigo to create a dizzying, vertiginous effect, it’s become one of the top film techniques among industry leaders in cinematography. However, as it’s a tough shot to get right, actors really need to be on their A-game when filming and a little patience goes a long way.


This is where the camera is positioned behind a subject’s shoulder and is usually used for filming conversations between two actors. This popular method helps the audience to really be drawn into the conversation and helps to focus in on one speaker at a time. Seeing as the non-speaking actor is seen only from behind, it’s common for major production sets to substitute actors with stand-ins or doubles for these shots.


The low angle shot films from a lower point and shoots up at a character or subject, making them appear larger so as to convey them as heroic, dominant or intimidating. It’s also another way of making cities look empty.


In contrast with the low angle shot, the high angle shot films from a higher point and looks down on the character or subject, often isolating them in the frame. Basically the direct opposite of the low angle, it aims to portray the subject as submissive, inferior or weak in some way.


This is a medium shot that shows two characters within the frame. It’s pretty straight-forward but can be pivotal in establishing relationships between the characters.


The wide shot normally frames the subject from the top of their head to their feet whilst capturing their environment. It’s typically used to establish the setting of the scene – so its similar to the establishing shot but focused more on characters and actors and the contextual relationship with their surroundings.


Often confused with the establishing shot, this too, identifies key signifiers like who is in the shot and where it’s taking place. However, unlike the establishing shot that has a tendency to focus more on location, the master captures all actors in the scene and runs the entire length of the action taking place. This allows for other smaller shots like the close-ups shot or medium shot to then be interwoven into the master, showcasing different camera angles of the same scene. It’s usually the first scene to be filmed so by choosing a physical action that can be easily repeated throughout multiple takes can ensure the actor gets major brownie points from the director.

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